COVET THY NEIGHBOUR (ongoing)
The paintings are built from staged sessions, using live models and carefully constructed light setups.
The works draw on historical references — notably Caravaggio — while remaining anchored in contemporary bodies and gestures.
CORPUS VENENUM (2025)
Corpus Venenum originated from an interest in the serpent as a culturally and symbolically charged figure.
Rather than working from existing images, I chose to stage my own sessions in the studio, bringing together live models and snakes to generate the paintings.
UP CLOSE AND PERSONAL (2018-2024)
The way societies treat fluids reveals their deep structures. These are intimate substances. But also political ones.
(RE)-VISITATIONS (2021 -2022)
This series restages iconic mythological and religious figures within charged environments.
Through pose, scale, and composition, the works reclaim forms of power historically denied to female bodies.
Not a Virgin. 2021. oil on canvas. 60x48 in — 152x121 cm
NYMPHOMANIA (2020)
Daphnee and her birds. Oil on canvas. 28x22 in. 2021.
Nymphs are minor characters in mythology, but central to my work. Always sensual, often silenced, they’re nature’s avatars—and too often, its victims.
PORTRAITS (2018 - ongoing)
Portraits are where it all began.
Always made from life, in oil or pastel.
If you ever visit my studio, beware — you might not leave without being painted.
